Production Diary 2 - Turning round

I then decided to animate the turning round shock movement. Again I used a visual reference to aid me with the keyframes;

I did my keyframes in dark blue with 30% opacity using a simple body form which I will elaborate on when I am happy with the movements.

I used the Onion Skin tool to begin to draw my inbetween frames

I went over my tweens with a dark red pencil so It didn't overshadow the blue as the blue needed to be seen because of the fact they are key frames.

This was my visual aid;